GLAM - Escola/Questões
Esta página lista as perguntas que são utilizadas no inquérito e entrevistas. Pode ajudar a traduzi-las para o seu idioma. Isto irá permitir a distribuição do inquérito no seu contexto local. Também pode sugerir alterações nas perguntas do mesmo, comentando na página de discussão.
Introdução
Ao responder às perguntas concorda em publicar as suas respostas como anónimas (CCO) em GLAM Escola/Entrevistas. As respostas serão anónimas, a menos que conceda permissão para associar o seu nome às suas respostas. Ao enviar o formulário, irá receber uma hiperligação para voltar e editar as suas respostas. Desta forma, não terá que preencher todo o inquérito de uma vez. Nós também podemos adicionar novas perguntas durante o período do inquérito, e nós iremos informar todos aqueles que já responderam.
Ao responder, concede-nos a permissão para guardar o seu endereço de correio eletrónico associado às suas respostas. Este será guardado apenas durante a duração do estudo. A pessoa de contacto para o estudo é Susanna Ånäs da AvoinGLAM, susanna.anas@gmail.com, https://www.avoinglam.fi/.
Pode ler as perguntas e ajudar a traduzir o inquérito para o seu idioma em Special:Translate/GLAM School/Questions.
E-mail *
Como gostaria de contribuir para o estudo?
- Eu gostaria de marcar uma entrevista
- Eu prefiro responder através deste inquérito
Quais são as suas principais preocupações sobre capacitar os voluntários e profissionais GLAM para contribuírem com o ecossistema aberto e as plataformas da Wikimedia? *
Por favor, responda a esta pergunta mesmo se desejar ter uma discussão separada connosco mais tarde, mesmo que brevemente.
O seu nome
Respostas anónimas *
- Eu desejo permanecer anónimo
- Eu posso ser associado às minhas respostas
Define-se a si mesmo como
As opções estão descritas em GLAM Escola/Definições.
- Profissional de GLAM
- Defensor(a) de Open GLAM
- Colaborador de GLAM-Wiki
- Voluntário da Wikimedia
- Não profissional a trabalhar com património cultural
- Responsável de desenvolvimento ou profissional de tecnologia
- Académico
- Criativo
- Criador de Políticas
- Executivo
- Outro:
A sua instituição ou comunidade
Define a sua instituição ou comunidade como
As opções estão descritas em GLAM - Escola/Definições.
- Wikimedia affiliate
- Creative Commons chapter
- Open Knowledge chapter or group
- OpenStreetMap chapter or group
- Other non-governmental organization
- Archive
- Museum or gallery
- Library
- Broadcaster or other media company
- Educational institution or project
- Governmental organization
- Technology provider
- Other business
- Unregistered interest group
- Funder or foundation
- Other:
País
Quem deveria participar?
Who are the people and organizations that should be involved in contributing cultural heritage materials to the open ecosystem? How to best engage them or facilitate their work? How do we make GLAM work an essential part of preservation of cultural heritage globally? Add some observations about any of the groups mentioned. You can skip any of the sections, add a new one, or return to complement your replies at a later stage.
'Profissionais GLAM
How can a GLAM professional find value in contributing to the open ecosystem? What are the needs the open ecosystem promises to solve, and how well are those needs met? What would an individual professional need in order to make a stronger argument in their institution to go open? What type of learning would be best supported by the institution?
A comunidade de Open GLAM
How do the different GLAM communities inter-relate, and how could they be more in collaboration with each other? Which global structures will help, and which local collaborations between networks are fruitful?
A comunidade de GLAM-Wiki
People in the Wikimedia movement who work with GLAM content contributions in affiliates, as volunteers, Wikimedians in Residence, developers and anyone who relates to the group.
Outros voluntários ds Wikimedia
How to best collaborate with Wikimedia communities in each of the Wikimedia projects? How to educate and engage volunteers in GLAM issues to become empowered to form partnerships, and to collaborate on accommodating the projects to better accept the GLAM contributions.
Comunidades de conteúdo
How could non-institutional caretakers of cultural heritage, Local communities, heritage associations, groups with archives etc. be better informed about the possibilities that the open ecosystems offers?
Responsáveis de desenvolvimento de tecnologia
How to facilitate the path to become a technical contributor to the open ecosystem? How to create an empowered community of technical contributors and GLAM advocates that work together? How to match projects lacking technical competence with technical resources? Take yourself as an example: What could you provide, what would you need?
Académicos
Researchers and students in studies and interdisciplinary programs in culture and humanities, sustainability, communications, technologies, design etc.
Educadores
Other educators, such as basic education or informal learning, experts in learning.
Criativos
Creative practitioners, designers, artists etc. in any field. How does Open Access to cultural heritage facilitate the work of creatives? How will creatives see open licensing as an opportunity?
Criadores de Políticas
What can policy makers do to make the case for Open Access to cultural heritage? How can they be more informed and see the benefits? How can they better contribute the discussions and interact with the wider GLAM community?
Add a missing category and explain the reasoning behind it
Compromisso mais profundo
Describe how a person might get involved with opening cultural heritage materials in the open ecosystem.
Nomeie a pessoa (ou personagens)
Pode ser você, uma pessoa que conhece ou que você imagina.
Conte a história
Think how the story goes: what makes the person get more familiar with contributing and making use the open resources, what are the first steps, what obstacles come along, and how they could be overcome. It can be you, a person you know or who you imagine. Give some background information about the person: the profession, professional experience, interests etc.
Pode vincular a uma imagem
Link an image that illustrates your story.
Materiais de aprendizagem
There is a clear need for shared learning resources. However, it is not clear how they should be structured or where they should be located.
Which kind of resources should be available?
Tell which ones you have found especially useful, or what you would like to see produced, standardized, localized and beautifully made. You can think of tutorials, videos, podcasts, blogs, websites, glossaries, bibliographies, courses, MOOCs, shared calendars etc, just to give examples.
What topics should they cover?
Which topics do you find especially important? You can think about topics ranging from ethics to technology, and everything in between.
What would a centralized learning resources hub look like?
On which platform could such a resource live? What requirements are there, for example for accessibility or translations? How about interactive resources, video, syllabi etc?
What should be created and what should be linked to?
Wheels should not be reinvented. How to make the best of what exists scattered around the internet, and what should be (re)-created for replicability? Please also list resources that you think are valuable to be shared.
Currículo
What could a course or a curriculum look like for learning GLAM skills? Please make note of the participant group in your answers, whether you are thinking about volunteers vs GLAM professionals, for example.
What would a GLAM syllabus look like?
What are the subjects in a GLAM syllabus? What are the basics that everyone should understand, which diverging paths are there?
Guided learning methods
What kind of guided learning events could be useful for arranging globally or for local participants, such as courses, MOOCs or masterclasses, and for which target groups? How to make them localizable and replicable in different contexts?
Independent learning
How would such a learning experience be accommodated for independent learning? Could OER projects be used for this?
Qualificação
Which topics require certification or validation of skills related to Open Access to cultural heritage, and the use of the open platforms and tools? Why is qualification important in those areas? What kind of qualifications could be thought of: certificate, badges, achievement matrix...
Projetos modelo e estudos de caso
Let us know about your successful models for learning, teaching and advocating GLAM-related issues
You can briefly explain one or more successful models. Tell why you think the model was successful. Share also if you or someone else has produced variations of it.
Novos formatos para cocriação
GLAM work has untapped potential when it is combined with different elements studying and preserving cultural heritage. Think about these crossovers and let yourself imagine something that does not yet exist.
Describe a new format for learning together
Think about informal spaces, mixing different participant groups and locations, switching roles, using different modalities and timeframes.
Problemas conhecidos
The GLAM community is facing new challenges regarding open access to cultural heritage. For example, some museums are willing to monetize their collections rather than open them for reuse. Rights holders are taken by surprise when the content they released openly is being used to train AI. Indigenous communities feel oppressed when their traditional knowledge is used freely, since it is not protected by copyright.
What emerging issues would you like to highlight?
Write about one or more. If possible, give also a bit of background.
What would be meaningful ways to discuss emerging issues in the GLAM community?
What kind of community, platforms and formats would best facilitate fruitful discussions and proposing solutions to the issues?
Diversidade, equidade e inclusão
How should DEI be taken into account in GLAM activities and in the learning experiences?
DEI no assunto das contribuições de GLAM
How to close content gaps in GLAM materials? How to approach and engage those content communities?
DEI nas práticas de GLAM
How to balance between opening and protecting the sensitive cultural aspects of the materials of the possibly underrepresented communities? What kind of guidelines would be needed for working with sensitive materials? How can volunteers and advocates be made aware of the cultural sensitivities, and how can they be negotiated in the everyday practices of the open projects?
DEI como parte do desenho de materiais de aprendizagem
How should different abilities be taken into account in creating the learning materials. How are cultural aspects and different languages addressed?
Criação de comunidade
Como as diferentes comunidades no cenário GLAM mais amplo podem se unir?
Canais
Que canais existem lá, quais são as suas limitações, e como fazer cruzamentos máximos?
Eventos
Which events welcome participants across sectors, where can the communities mix? How to expand the reach for participants in those events?
Outros
What other ways can you think of that encourage creating community across different barriers?
Impacto
What kind of impact do GLAM projects need to convey for different stakeholders? How can this evidence be collected and communicated?
Impacto
What kind of impact do GLAM projects have? What do they need to convey for different stakeholders?
Avaliação
O que precisa de ser avaliado e para quais propósitos? Como pode ser comunicado?