File:Thomas Couture - Horace and Lydia - Walters 3723.jpg

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Summary

Thomas Couture: Horace and Lydia  wikidata:Q18749401 reasonator:Q18749401
Artist
Thomas Couture  (1815–1879)  wikidata:Q326434
 
Thomas Couture
Alternative names
Monogrammist TC
Description French painter, drawer, writer and teacher
Date of birth/death 21 December 1815 Edit this at Wikidata 29 March 1879 or 30 March 1879
Location of birth/death Senlis Villiers-le-Bel
Work period between circa 1830 and circa 1879
date QS:P,+1850-00-00T00:00:00Z/7,P1319,+1830-00-00T00:00:00Z/9,P1326,+1879-00-00T00:00:00Z/9,P1480,Q5727902
Work location
Paris (1830-1860), Villiers-le-Bel (between circa 1860 and circa 1870
date QS:P,+1850-00-00T00:00:00Z/7,P1319,+1860-00-00T00:00:00Z/9,P1326,+1870-00-00T00:00:00Z/9,P1480,Q5727902
)
Authority file
artist QS:P170,Q326434
image of artwork listed in title parameter on this page
Title
Horace and Lydia
Object type painting Edit this at Wikidata
Description
English: A nude woman clasps her arms around the neck of a man reclining on a draped bench. He is being served wine by a kneeling servant. At the extreme right is a column entwined with vine grapes.

The subjects of this painting have traditionally been identified as the Roman poet, Quintus Horatius Flaccus (65-8 BC) and Lydia, a Roman courtesan, who figures prominently in the poet's "Odes." An identical composition, though distinguished by more dramatic illumination, is in the Wallace collection, London, inv. P340, dated 1843, listed as "A Roman Feast."

The composition is generally described as an essay preliminary to the celebrated "Romans of the Decadence," Louvre, R.F. 3451, shown at the Salon of 1847. Superficial similarities can be cited between the poses of the figures in the small composition and those of the reclining couple at the left side of the Salon picture, and also between the laurel-wreathed male head in this picture and the head of the second figure witnessing the orgy at the extreme right in the Louvre painting. Drawings related to the London and Baltimore pictures were sold at the Hôtel Drouot, Paris, November 23, 1970, and again June 25, 1973.
Date after 1843
date QS:P571,+1843-00-00T00:00:00Z/7,P1319,+1843-00-00T00:00:00Z/9
Medium oil on panelmedium QS:P186,Q296955;P186,Q106857709,P518,Q861259
Dimensions height: 21.5 cm (8.4 in); width: 27 cm (10.6 in)
dimensions QS:P2048,21.5U174728
dimensions QS:P2049,27U174728
institution QS:P195,Q210081
Accession number
37.23
Place of creation France
Object history
  • Sedelmeyer Sale, Paris, April 30-March 2, 1879, no. 13
  • S. P. Avery, New York [date and mode of acquisition unknown]
  • William T. Walters, Baltimore, March 10, 1885, by purchase
  • 1894: inherited by Henry Walters, Baltimore
  • 1931: bequeathed to Walters Art Museum by Henry Walters
Credit line Acquired by William T. Walters, 1885
Inscriptions [Signature] Mid left: T C
References Walters Art Museum artwork ID: 13728 Edit this at Wikidata
Source Walters Art Museum: Home page  Info about artwork
Permission
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current06:58, 20 March 2012Thumbnail for version as of 06:58, 20 March 20121,024 × 815 (853 KB)File Upload Bot (Kaldari)== {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Thomas Couture}} |title = ''Horace and Lydia'' |description = {{en|A nude woman clasps her arms around the neck of a man reclining on a draped bench. He i...

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